TEN EN CUENTA NUESTRO ANÁLISIS DE OPINIÓN

ABOVE EVERYTHING I WOULD LIKE TO LEAVE SOMETHING CLEAR. A MOUTHPIECE REFACER IS NOT A MANUFACTURER OF THEM. THERE ARE MANUFACTURERS AND REFACERS, THEY DO NOT HAVE TO BE THE SAME PERSON. MAKE CHANGES IN YOUR MOUTHPIECEES, IT CAN BE SAID THAT THE ESSENCE OF THE GOOD INSTRUMENTIST IS IN YOUR MOUTHPIECE, THE MOUTHPIECE REPRESENTS 90% OF ALL YOUR INSTRUMENT.

​

(I think that all mouthpieces made for professional players are good, which makes it sound like a mouthpiece is good, it is an accumulation of sensations for the player). The main theme is not in the mouthpieces, if not in the performer, the suggestion would be: What mouthpiece can this performer or instrumentalist do well? The general sound properties of each mouthpiece are the sensations that the professional has after trying it, taking into account its musical style and degree of training, so it depends on the person testing it. So a mouthpiece, some can go wonderfully and being the same, others fate. There are preferences, but not for mouthpieces, if not for instrumentalists, certain mouthpieces are the most liked by certain majorities. I would like to mention another topic that is talked about a lot. is; because being the same mouthpiece, they are all different, here I must say that any minimum tolerance that a mouthpiece has in any of its manufacturing measures, provides different or different sensations, which the players transfer to the versatility of that mouthpiece, such as the different articulations: pitting, binding, register changes, focus, attack or blowing in grabs, mids and highs, emission, projection, power, dark, bright sound, resonance, harmonics, etc ... Also the atomic or molecular structure of the composition of the material with which they are manufactured, greater or lesser density of the alloy or mixture used. Another topic that is in vogue today is copying, shooting or cloning mouthpieces, when it is believed that a mouthpiece is good or responds well to a (single user), they already want to make a copy, with the lack of understanding that there is no equal mouthpiece and what that mouthpiece that you want to copy only responds to that person. The mouthpieces are the part of our most personal instrument that we have, just as there is no equal mouthpiece, there is no equal instrument, we all perform different pressures on our facial muscles that provide us with our mouthpiece and use different degrees of force in reeds, all mouthpieces as well as instrumentalists and like all reeds, whether conventional or synthetic, are different. It is much more interesting to achieve, by retouching or modifying, finding a versatile and comfortable mouthpiece for our personal technical quality. (custom works)

For all this I say that, being a very experienced and consolidated subject in the USA, the UK, France, Italy, Germany and Japan, it is now beginning to be taken into account in our country (Spain). Has anyone thought that the mouthpieces can modify, refacing, adapt to each instrumentalist ?, perhaps, we have part of the solution to small sensory problems in acoustics, discomfort and even psychological that some instrumentalists have. For that they are and we must go to a (Refacer), this person is specialized in refacing mouthpieces and giving us security, comfort and versatility, achieving with less physical effort, the best benefits. The manufacture of different models and brands of mouthpieces does not stop, every day different models are being designed that will go on the market. I think that the future of the mouthpieces will not be based on testing how many more mouthpieces come onto the market, testing everything and acquiring the maximum possible of them with their consequent price, which then most will end up in a drawer or being put up for sale to others, at the In the end, the instrumentalist only uses one of many that he has, nor will he be in as many as you buy and try until you find the one you like, if not in customizing your own mouthpiece, the instrumentalist who understands this will be closer to reality. I encourage you to try this trade with one of your mouthpieces that you have out of use, then you will notice that your sound sensations will have changed for the better, you will realize the benefits that are obtained from the refacing or modified mouthpìeces.